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"Power of the lawyer is in the uncertainty of the law": Kerala High Court - Nudity should not be tied to sex. Mere sight of the naked upper body of the woman should not be deemed to be sexual, Just as beauty is in the eyes of the beholder, so is obscenity
The Kerala High Court, while absolving a mother from a criminal case relating to the recording of a video in which her children painted on her partially unclothed body, highlighted that the portrayal of a woman's naked form should not always be perceived as sexual or indecent.
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After considering the woman's explanation that the video was created with the intention of challenging patriarchal norms and conveying a message against the excessive sexualization of the female body, the High Court concluded that the video could not be deemed obscene. The woman had been charged under several sections, including Sections 13, 14, and 15 of the Protection of Children from Sexual Offences Act, 2012 (POCSO), Section 67B (d) of the Information Technology Act, 2000, and Section 75 of the Juvenile Justice (Care and Protection of Children) Act, 2015 (JJ Act).
Justice Kauser Edappagath emphasized the importance of not hastily assuming nudity to be inherently sexual, but rather advocated for a thoughtful evaluation of nudity within its specific context.
"Nudity should not be tied to sex. The mere sight of the naked upper body of the woman should not be deemed to be sexual by default. So also, the depiction of the naked body of a woman cannot per se be termed to be obscene, indecent, or sexually explicit. The same can be determined to be so only in context," the Court said.
The single-judge aptly highlighted the notable disparity in societal perceptions by pointing out that nude female sculptures found in temples and other public spaces are widely regarded as artistic representations or even sacred symbols.
Additionally, the judge made reference to a significant historical event, namely the protest against the discriminatory breast tax, also known as mulakkaram, during the British rule in India. This agitation involved a courageous woman named Nangeli, who resorted to a drastic act of self-mutilation by cutting off her own breasts as a powerful form of protest. This poignant incident serves as a reminder of the resilience and determination displayed by women in Kerala to challenge oppressive practices and fight for equality.
"It is wrong to classify nudity as essentially obscene or even indecent or immoral. This is a State where women of certain lower castes had once fought for the right to cover their breasts. We have murals, statues, and art of deities displayed in the seminude in ancient temples run all over the country. Such nude sculptures and paintings freely available in public spaces are considered art, even holy. Even though the idols of all Goddesses are bare-chested, when one prays at the temple, the feeling is not of sexual explicitness but of divinity," the Court said in its judgment.
Significantly, the Court aptly highlighted the inconsistency in society's approach when it comes to assessing the naked male body compared to the female body. The observation shed light on the existence of a double standard, wherein different standards or criteria are applied in the evaluation of nudity based on an individual's gender.
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"Body painting on men is an accepted tradition during 'Pulikali' festivals in Thrissur, Kerala. When 'Theyyam' and other rituals are performed at the temple, painting is conducted on the bodies of male artists. The male body is displayed in the form of six-pack abs, biceps etc. We often find men walking around without wearing shirts. But these acts are never considered to be obscene or indecent," the Court observed.
Further delving into the matter, the Court went on to assert that those who perceive women's bodies as intrinsically obscene often do so because they have been conditioned to view women primarily as objects of desire. This perceptive observation highlights the underlying societal factors that contribute to the objectification and sexualization of women's bodies, shedding light on the need for a more equitable and respectful approach to how women are perceived and treated.
"When the half-nude body of a man is conceived as normal and not sexualised, a female body is not treated in the same way. Some people are so used to considering a woman’s naked body as an overly sexualised one or just an object of desire. There is another dimensional view about female nudity- that is, female nudity is taboo because a naked female body is only meant for erotic purposes."
In addition, the Court astutely noted that a similar disparity is evident in the realm of bodily autonomy, wherein the rights of individuals to exercise control over their own bodies are frequently diminished, particularly for women, within patriarchal societies. This observation highlights the systemic challenges and gender inequalities that persist, wherein women's agency and autonomy over their own bodies are often undermined or disregarded. By recognizing this discrepancy, the Court underscores the need for a more inclusive and egalitarian approach that upholds and protects the fundamental rights and autonomy of all individuals, regardless of gender.
"Body autonomy that allows individuals the freedom to make their own choice about their bodies is a natural right and part of their liberty. Every individual is entitled to the autonomy of his/her body – this is not selective on gender. But we often find this right is diluted or denied to the fairer sex. The autonomy of the male body is seldom questioned, while the body agency and autonomy of women are under constant threat in a patriarchal structure. The women are bullied, discriminated against, isolated, and prosecuted for making choices about their bodies and lives."
When the half-nude body of a man is conceived as normal and not sexualised, a female body is not treated in the same way. - Kerala High Court
Regarding the issue of morality that often arises in discussions surrounding nudity, the Court made a noteworthy observation, emphasizing that morality is subjective and distinct from matters of legality. This observation highlights the inherent distinction between personal beliefs or moral judgments and the legal framework that governs society. By acknowledging this distinction, the Court highlights the importance of considering the legal aspects separately from subjective moral perspectives when addressing matters related to nudity or any other societal issue.
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"The notions of social morality are inherently subjective. Morality and criminality are not coextensive. What is considered as morally wrong is not necessarily legally wrong", the Court said.
In support of its assertion, the Court cited significant precedents to illustrate the distinction between morality and legality. Specifically, it referred to the Supreme Court judgments in the cases of Joseph Shine v. Union of India and Navtej Singh Johar v. Union of India. These landmark cases resulted in the decriminalization of adultery and consensual homosexual sex, respectively. By highlighting these examples, the Court emphasizes that societal perceptions of morality should not dictate the legality of certain acts. It underscores the importance of the legal system in upholding individual rights and ensuring equality, even if these actions may have been previously regarded as morally objectionable by some segments of society.
"Adultery, consensual same-sex relations and live-in relationships can continue to be scrutinised on a moral ground by certain people as much as one wants, but they are legal because law and morality are not equivalent to each other. Society’s morality and some people’s sentiments cannot be the reason for instituting a crime and prosecuting a person. An action is permissible if it does not violate any of the laws of the land", the Court observed.
Society’s morality and some people’s sentiments cannot be the reason for instituting a crime and prosecuting a person. - Kerala High Court
In a significant judgment, the Court rendered its observations while dismissing a case filed against a women's rights activist under the provisions of the Protection of Children from Sexual Offences (POCSO) Act.
The case stemmed from a video that the activist had shared on her social media platforms, wherein her two minor children, a 14-year-old boy and an 8-year-old girl, were seen painting on her partially unclothed torso. Upon reviewing the video during the court proceedings, the Court discerned that it was not an act of sexual gratification or driven by any sexual intent. Instead, the video conveyed a powerful message against the objectification of female bodies.
Crucially, the Court took note of the detailed message accompanying the video, in which the petitioner expounded on her perspective. According to her statement, the display of nudity was intended as a response to a society that seeks to control and repress, particularly in matters of sexuality. She argued that a child who grows up witnessing their mother's nudity and body would not harbor a propensity to exploit or abuse another female body.
Consequently, the Court concluded that the video in question could not be characterized as a real or simulated sexual act, nor could it be deemed as having been created for the purpose of sexual gratification or with any sexual intent. Consequently, the Court quashed the case against the activist, recognizing the underlying message and intention behind the video.
This judgment highlights the Court's recognition of the broader societal issues surrounding the objectification and control of female bodies. It underscores the need to differentiate between acts that may involve nudity but lack any sexual connotations, emphasizing that such acts should not be subjected to unwarranted legal action. The ruling serves as a reminder of the importance of understanding and appreciating the context and intent behind an individual's actions, especially when assessing cases related to expressions of personal beliefs and challenges against societal norms.
Just as beauty is in the eyes of the beholder, so is obscenity. - Kerala High Court
The petitioner, in this case, was represented by Advocate Renjith B Marar, who skillfully presented the arguments and advocated on behalf of the women's rights activist. With expertise and legal acumen, Advocate Marar effectively conveyed the petitioner's perspective, emphasizing the crucial aspects of the case.
On the other side, Senior Public Prosecutor TV Neema appeared on behalf of the State. As the representative of the prosecution, Senior Public Prosecutor Neema presented the State's position and arguments in response to the petitioner's claims. Their role was to ensure that the State's interests and legal considerations were duly represented and protected during the proceedings.
Both legal professionals played pivotal roles in presenting their respective cases before the Court, contributing to the fair and thorough examination of the matter at hand. Their participation ensured a balanced and comprehensive consideration of the legal issues involved in the case.
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